b. 19-20
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composition: Op. 16, Rondo in E♭ major
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We add a cautionary before f3 in the main text. Similarly, we add it before f2 in the next bar. category imprint: Editorial revisions |
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b. 21
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composition: Op. 16, Rondo in E♭ major
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The hairpin placed in FE (→GE) is imprecise: it ends at the level of the 3rd quaver in the bar. We suggest prolonging the mark to the end of the phrase. The engraver of EE1 (→EE2) completely overlooked the hairpin. It was only just the reviser of EE3 that added it (over the R.H.). category imprint: Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , Errors in EE |
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b. 23
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composition: Op. 16, Rondo in E♭ major
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In the sources, the before A is unnecessarily repeated in the 2nd half of the bar. category imprint: Editorial revisions issues: Cautionary accidentals |
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b. 24-25
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composition: Op. 16, Rondo in E♭ major
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EE added dashes between all elements of poco a poco cresc, which cannot be considered unjustified if we take into account considerable gaps between subsequent words. There is a similar situation in bars 28-29. category imprint: Differences between sources issues: EE revisions |
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b. 25-26
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composition: Op. 16, Rondo in E♭ major
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In FE (→EE), the dashes marking the range of crescendo are present only in bar 25. It must be an inaccuracy, most probably caused by the transition into a new line – marking the range of cresc. on such a short section would not make sense. That conclusion is confirmed by analogous bars 29-30, in which the dashes are led until . In GE, the markings were completely omitted in both analogous places. category imprint: Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , GE revisions , EE inaccuracies |