b. 97-100
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composition: Op. 22, Andante spianato
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The missing four slurs in FE (→GE) must be an oversight, perhaps of Chopin himself. Therefore, in the main text we include the obvious addition introduced in EE. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 99-105
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composition: Op. 22, Andante spianato
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Contrary to b. 55-62, FE include long accents here, i.e. in b. 99-100 and 103-105. We consider it an inaccuracy and we give short accents in the main text. The remaining editions repeated here the accents used for the first time: long in GE1, vertical in EE and short in GE2 (→GE3). See also b. 106, which we discuss separately due to the mistakes in GE and EE. category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions issues: Long accents , EE revisions |
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b. 100
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composition: Op. 22, Andante spianato
category imprint: Differences between sources issues: GE revisions |
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b. 100-101
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composition: Op. 22, Andante spianato
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According to us, there is a strong likelihood that the ending of the slur was inaccurately reproduced in the sources. Therefore, in the main text we prolong the slur after the analogous place in b. 56-57, in which the slur also encompasses the fifth that melodically and harmonically closes the figuration of the previous bars. category imprint: Editorial revisions |
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b. 106
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composition: Op. 22, Andante spianato
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Both the missing accent in EE1 and its placement on the 3rd semiquaver of the bar in GE1 (→GE2) must be mistakes. The oversight of the accent in EE1 could have been repeated after FE, in which the mark was then added in the last phase of proofreading. The addition of the accent in EE2 in an erroneous place may mean that the reviser did not compare this bar with b. 62, but with GE1 (there is also a possibility that it is simply a mistake, e.g. of the engraver). category imprint: Differences between sources issues: Long accents , EE revisions , Errors in EE , Errors in GE , GE revisions |