b. 73-74
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composition: Op. 22, Andante spianato
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The missing tie of a1 is probably a mistake, although it cannot be ruled out that the tie was omitted to give meaning to the accent under the a1 minim in b. 74. category imprint: Differences between sources issues: Errors in GE |
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b. 73-86
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composition: Op. 22, Andante spianato
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The missing ties of c1 in b. 73-74 and 85-86 in EE1, unless it is a double oversight, indicate that they were added in FE (→GE) in the last phase of proofreading. The ties were added in EE2. category imprint: Differences between sources issues: EE revisions , Authentic corrections of FE |
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b. 74-86
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composition: Op. 22, Andante spianato
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In b. 74, 75, 77 and 86 the slurs over the L.H. part in FE are thrice led to the last quaver (d1 or b) and only once – in b. 75 – to the crotchet ending the motif. According to us, it is probably an inaccuracy, and the slurs should always reach the last note, like in the R.H. In GE the slurs were unified by shortening the one in b. 75; it may be an inaccuracy. In turn, in EE the slur in b. 74 was extended (the range of the slur in b. 86 is vague). category imprint: Differences between sources; Editorial revisions issues: EE revisions , Inaccuracies in GE |
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b. 76
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composition: Op. 22, Andante spianato
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In the main text we suggest adding the slur after the authentic slur in analogous b. 88 (as well as in b. 73 and 85). The slur was also added in EE2. See also the next note. category imprint: Differences between sources; Editorial revisions issues: EE revisions |
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b. 77
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composition: Op. 22, Andante spianato
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The missing accent in the sources is most probably a mistake: the mark is present in analogous b. 89, while a moment of distraction (of the engraver of FE or of Chopin himself) is indicated by the overlooked slur in the previous bar. We suggest two variants of the addition, compliant with the general doubt concerning the length of the accents in the Semplice section. category imprint: Editorial revisions |