b. 350
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composition: Op. 21, Concerto in F minor, Mvt III
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We add a cautionary before b1 in the main text. category imprint: Editorial revisions |
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b. 352
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composition: Op. 21, Concerto in F minor, Mvt III
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A more accurate specification of the unexpected B7 chord in the solo part already at the beginning of the bar must be a Chopinesque improvement introduced in the proofreading of FE (→EE). It is already a second change in this bar with respect to the earliest preserved version, after the rhythmic diversification – see the adjacent note. category imprint: Differences between sources |
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b. 352
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composition: Op. 21, Concerto in F minor, Mvt III
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The layout of the notes in A suggests that the group of quavers initially included only four notes: . category imprint: Corrections & alterations issues: Corrections in A , Main-line changes |
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b. 352
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composition: Op. 21, Concerto in F minor, Mvt III
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Chopin's intention concerning the placement of the accent is uncertain. The change of its position in GE (→FE→EE) is almost certainly of a random nature, since in the version of A (→GE), in which there is a sole a2 at the beginning of the bar, it does not influence the meaning of this sign. After adding the d2 note in FE (→EE), the position of the accent may suggest accenting the bottom or top note of the d2-a2 fifth. In the main text we give an accent in the place where Chopin saw it while proofreading FE. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 352
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composition: Op. 21, Concerto in F minor, Mvt III
..
In the main text we give an extended slur – probably by Chopin together with adding the d2 note at the beginning of the bar – in the proofreading of FE (→EE). In turn, we omit the triplet slur added in GE (→FE→EE) – cf. General Editorial Principles, p. 16. category imprint: Differences between sources issues: GE revisions , Authentic corrections of FE , Triplet slurs |