b. 329
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composition: Op. 21, Concerto in F minor, Mvt III
..
There is no before the 3rd third in A (→GE→FE→EE1→EE2). Chopin's oversight is proved by a present both in the cello part in Morch and analogous bar 5. The sign was added in EE3, probably on the basis of the indicated analogy. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors of A |
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b. 329
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composition: Op. 21, Concerto in F minor, Mvt III
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The sign may be a mistake of the engraver of FE (→EE). However, Chopin's proofreading cannot be entirely excluded: it may be that the composer wanted to prevent the next fragment from being performed without pedal or, which is more likely, he was thinking about a short pedal encompassing the octave leap of the top voice in the R.H. category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE , No pedal release mark |
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b. 329-330
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composition: Op. 21, Concerto in F minor, Mvt III
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The tie of f1 in EE3 was most probably added on the basis of analogy with bars 5-6; EE features such a version in these bars. category imprint: Differences between sources issues: EE revisions |
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b. 330-331
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composition: Op. 21, Concerto in F minor, Mvt III
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The tie of the b-d1 third is probably a Chopinesque correction, introduced in the proofreading of FE (→EE). category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 331-332
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composition: Op. 21, Concerto in F minor, Mvt III
..
The slur of A, although placed under correct notes, undoubtedly concerns the crotchets in the top voice; we reproduce it in this way in the main text. In GE (→FE) it was moved under the minims in the bottom voice (b-c1), which was inaccurately reproduced in EE, by combining d1-c1. category imprint: Differences between sources issues: Inaccuracies in GE , EE inaccuracies |