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b. 199-201
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composition: Op. 21, Concerto in F minor, Mvt III
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The missing staccato dots at the beginning of bar 197 (in both hands) and 199 can be almost certainly attributed to the inaccuracy of the engraver of GE1 (→FE→EE). The signs were added in GE2 after A. category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 199-201
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composition: Op. 21, Concerto in F minor, Mvt III
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In A bar 199 is the last one on the page, which contributed to the fact that the range of the slur in the L.H. is vague – the slur started in this bar suggests continuation, yet there is no ending thereof on the next page. The inaccuracy was corrected in GE1 (→FE→EE), perhaps at Chopin's request; however, it is questionable that he would be thinking about a slur that would not embrace the last note of this scale passage (cf. the slurs in the R.H. in this place). Due to this fact, it is the slur led to the beginning of bar 201, in accordance with GE2, that we adopt to the main text. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccurate slurs in A , GE revisions , Authentic corrections of GE , Corrected slurs of Op. 21 in GE1 |
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b. 200-201
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composition: Op. 21, Concerto in F minor, Mvt III
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The staccato dots at the beginning of the bars, in A written between the notes, were ignored both by the engraver of GE1 (→FE→EE) and the reviser of GE2. The signs are very small, since Chopin apparently did not want them to be confused with note heads. category imprint: Differences between sources issues: Errors in GE |
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b. 201-211
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composition: Op. 21, Concerto in F minor, Mvt III
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In A there are visible deletions of the endings of the slurs over the staccato dots in bars 201-204. Instead of them, Chopin added new, shorter endings below, reaching the note heads. The aim of these corrections remains unclear, perhaps the goal was to graphically emphasise the dots. For the second time, in bars 209-212, the composer wrote the slurs already in the "new" way, except for bar 211, in which one can see a correction described above, although without deletion of the original ending. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
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b. 201-204
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composition: Op. 21, Concerto in F minor, Mvt III
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Shifting the category imprint: Differences between sources; Editorial revisions issues: Errors in FE , Inaccuracies in GE , No pedal release mark |
1 in 
on 2nd beat in 
] suggested by the editors