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b. 56
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composition: Op. 21, Concerto in F minor, Mvt II
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In A, over the accented c category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
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b. 57-61
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composition: Op. 21, Concerto in F minor, Mvt II
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In GE2 slurs for the L.H. were added under both phrases of the solo part. In EE a similar addition was introduced in bars 60-61, however, the added slur begins only from the 1st semiquaver (a category imprint: Differences between sources issues: EE revisions , GE revisions |
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b. 58
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composition: Op. 21, Concerto in F minor, Mvt II
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In the part of the R.H. one can see in A a correction of the rhythmic notation on the 2nd beat of the bar – the 2nd and 3rd notes of the triplet had a semiquaver beam, whose top line was erased afterwards. The changes most probably spanned the entire 1st half of the bar, originally consisting of a dotted crotchet and two semiquavers, which Chopin skillfully corrected, avoiding, so far as possible, deletions and erasures. category imprint: Corrections & alterations issues: Corrections in A |
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b. 59-60
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composition: Op. 21, Concerto in F minor, Mvt II
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The layout of the chords of the orchestral part reduction in A (→GE) corresponds to the division into instrument groups and not to piano reality – four voices on the top stave are grouped in twos, with an indication of flutes and clarinets performing them, whereas the bass voice, imitating the double-bass part (an octave higher) is written as a third voice on the bottom stave. It was changed in a proofreading of FE (→EE), most probably by Chopin, to a layout indicating the pianist a division into hands, which we adopt in the main text. category imprint: Differences between sources issues: GE revisions , Authentic corrections of FE |
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b. 59-60
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composition: Op. 21, Concerto in F minor, Mvt II
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The missing slurs are most probably a mistake of the engraver of GE1 (→FE→EE). In the main text, we suggest slurs modelled on the slurs of A, yet adapted to the changed division of chords into voices (the change was performed in FE (→EE), most probably by Chopin). GE2 repeated the slurs of A, adding another one, for the bottom pair of dyads on the top stave. If in bar 53 the version with harmonic accompaniment was chosen, the last of the given versions is to be selected here. category imprint: Differences between sources issues: Errors in GE , GE revisions |
4 and the initial section of the group of demisemiquavers, there is a visible deletion of the appassionato indication. 
