Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 21, Concerto in F minor, Mvt II
The layout of the chords of the orchestral part reduction in A (→GE) corresponds to the division into instrument groups and not to piano reality – four voices on the top stave are grouped in twos, with an indication of flutes and clarinets performing them, whereas the bass voice, imitating the double-bass part (an octave higher) is written as a third voice on the bottom stave. It was changed in a proofreading of FE (→EE), most probably by Chopin, to a layout indicating the pianist a division into hands, which we adopt in the main text.
Compare the passage in the sources »
category imprint: Differences between sources
issues: GE revisions, Authentic corrections of FE
notation: Shorthand & other