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b. 53-54
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composition: Op. 21, Concerto in F minor, Mvt II
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In both bars, the wedges that emphasise the topmost notes in A, b If in bar 53 the version with harmonic accompaniment was chosen, one of the versions with signs only in the R.H. is to be selected here. category imprint: Differences between sources issues: Inaccuracies in GE , Wedges |
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b. 53
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composition: Op. 21, Concerto in F minor, Mvt II
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The change of the dynamic indication arrangement performed in GE (→FE→EE) is most probably an arbitrary decision of the engraver. Cf. bar 63. category imprint: Differences between sources issues: Inaccuracies in GE |
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b. 54-61
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composition: Op. 21, Concerto in F minor, Mvt II
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In the main text we add indications of irregular rhythmic groups overlooked in the sources in bars 54, 58 and 61. See also bars 62 and 63. category imprint: Editorial revisions |
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b. 54
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composition: Op. 21, Concerto in F minor, Mvt II
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In A (→GE1→FE) there are cautionary flats before the 2nd demisemiquaver. The superfluous in this context signs were removed in EE and GE2. category imprint: Differences between sources issues: EE revisions , GE revisions , Cautionary accidentals |
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b. 54-55
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composition: Op. 21, Concerto in F minor, Mvt II
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On the last beat of bar 54, the slurs in A embrace the first 7 demisemiquavers only. The editions embraced 8 notes with them (in GE1 in the L.H. the slur erroneously embraces the entire figure and in FE the slur in bar 55 was shortened accordingly). In this case, the inaccuracy is understandable, particularly with regard to the slur of the R.H. that ends between g If in bar 53 the version with harmonic accompaniment was chosen, one of the versions with slurs only in the R.H. is to be selected here. category imprint: Graphic ambiguousness; Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccurate slurs in A , Errors in GE , GE revisions , FE revisions |
1(2) in bar 53 and a
1(2) in bar 54, were reproduced in the editions as dots. 
in 
