mUltimate Chopin

Op. 21, Concerto in F minor, Mvt II

Text Compare Notes Sources Description

Issues : Corrections in A

b. 6-7

composition: Op. 21, Concerto in F minor, Mvt II

 to bar 7 in A

 in bar 6 in GE (→FE→EE)
..

The change of the range of the  sign is certainly an inaccuracy of GE (→FE→EE). In A one can see that Chopin deleted the hairpin written over the part of the R.H., having the same range as in the editions. The new sign was written under the group of demisemiquavers introducing the theme and led further on, to the e3 minim.

category imprint: Differences between sources; Corrections & alterations

issues: Inaccuracies in GE , Corrections in A

b. 12

composition: Op. 21, Concerto in F minor, Mvt II

..

In A, the original accompaniment on the 4th beat, crossed out but lisible, was like the figure on 3rd beat, shifted a second higher. See also note to bar 13.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A , Accompaniment changes

b. 35

composition: Op. 21, Concerto in F minor, Mvt II

..

The erasures visible in A are evidence of two corrections within the septuplet of quavers:

  • moving the g2 minim from the middle of the septuplet to the beginning of the bar;
  • removing the superfluous (erroneous) semiquaver beam.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A

b. 36-37

composition: Op. 21, Concerto in F minor, Mvt II

..

In A one can see an extension of the slur; initially, it embraced only the 2nd half of bar 36.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A

b. 41-42

composition: Op. 21, Concerto in F minor, Mvt II

..

In A one can see an extension of a slur that, initially, embraced only the group of semiquavers in bar 41.

category imprint: Corrections & alterations; Source & stylistic information

issues: Corrections in A