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b. 36-37
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composition: Op. 21, Concerto in F minor, Mvt II
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In A one can see an extension of the slur; initially, it embraced only the 2nd half of bar 36. category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A |
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b. 36
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composition: Op. 21, Concerto in F minor, Mvt II
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The graphic separation of the middle voice of the last three chords with a separate beam comes from us. It was necessary to indicate that the category imprint: Editorial revisions |
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b. 36
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composition: Op. 21, Concerto in F minor, Mvt II
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The sign of an accent in GE1 is doubly inaccurate: short and placed after the chord it concerns in the very legible notation of A. Overlooked in FE (→EE), it was moved to the right place in GE2 (without changes in shape). category imprint: Differences between sources issues: Long accents , Errors in FE , Inaccuracies in GE , GE revisions |
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b. 36
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composition: Op. 21, Concerto in F minor, Mvt II
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GE misreproduced the indication as radoscendo. The correct spelling appears in a proofreading of FE (→EE), perhaps as a result of Chopin's intervention. (The contemporary Italian orthography requires it to be spelled with a double "d": raddolcendo). category imprint: Interpretations within context; Differences between sources issues: Errors in GE , Authentic corrections of FE |
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b. 38
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composition: Op. 21, Concerto in F minor, Mvt II
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The accent in A is only slightly longer than the adjacent ones, hence it is not entirely certain whether Chopin meant a long accent here. category imprint: Graphic ambiguousness; Differences between sources issues: Long accents , Inaccuracies in A |
sign applies to this progression; the sign was written by Chopin in 
