Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 21, Concerto in F minor, Mvt I
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Op. 21, Concerto in F minor, Mvt I
Sources
- Semi-autograph
- Autograph of the piano part
- Manuscript of the orchestra part
- German edition
- First German edition
- Retouched impression of GE1
- Second German edition
- French edition
- First French edition
- Corrected impression of FE1
- Dubois copy
- Jędrzejewicz copy
- Stirling copy
- English edition
- First English edition
- Revised impression of EE1
- Corrected impression of EE2
EE3 - Corrected impression of EE2
| Publisher: | Ashdown & Parry |
| Date: | ca 1870 |
| Plate number: | (W & Co. No. 1642) |
| Title: | Second Concerto |
| Dedication: | Madame Anderson, de Londres |
A revised version of EE2, prepared by Wessel's successors, the Ashdown & Parry company. Above all, the changes encompass over a dozen additions of accidentals, both necessary and cautionary, e.g.:
-
raising e
2 to e2 in bar 103, -
cautionary before b in bar 113,
-
cautionary flats before b2 in bar 115, d1 in bar 142, E in bar 171, b2 and a2 in bar 288,
-
raising b to b in bar 180,
-
raising d3 to d3 in bar 196,
-
flats lowering g2(3) to g2(3) in bar 227,
-
superfluous
before d1 in bar 244, -
raising a1 to a1 in bar 288.
Moreover, a tie to e2 was added in bar 286.
| Original in: | Royal Academy of Music, London |
| Shelf-mark: | Reserve 51 Chopin |
