b. 153
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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It is unclear which slur Chopin meant, since the absence of a slur in FE (→EE1) does not allow us to confront the version of GC with another source modelled after [A]. According to us, the slur of GC may be inaccurate, hence we adopt the more natural version of GE. The slur of EE2, probably modelled after GE, was, however, led from g, which may influence its meaning to a certain extent. category imprint: Differences between sources issues: EE revisions , Errors in FE , EE inaccuracies , Inaccuracies in GC |
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b. 153-155
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In GE, most probably due to the engraver's inattention, there is no R.H. accent in any of these bars. See also bars 158-159. category imprint: Differences between sources issues: Errors in GE |
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b. 153
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The absence of an accent in FE (→EE1), if not an oversight by the engraver, means that Chopin added the mark to GC (→GE). category imprint: Differences between sources issues: EE revisions , Errors in FE , Authentic corrections in GC |
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b. 153
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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FE1 has no sign here. It is undoubtedly an oversight by the engraver – the sign was added in FE2 (→EE,FE3→FE4), and is present in GC (→GE). category imprint: Interpretations within context; Differences between sources issues: Errors in FE , FE revisions |
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b. 154-155
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The slur's division in EE is an inaccuracy which results from bar 155 starting a new line. category imprint: Graphic ambiguousness; Differences between sources issues: EE inaccuracies , Uncertain slur continuation |