b. 148
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The version of GE1 is certainly a mistake of the engraver, corrected in GE2. The bottom note of this dyad is devoid of natural in GC, FE and GE1, which in all of the cases is a patent error. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in GE , Terzverschreibung error , GE revisions |
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b. 149-150
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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Similarly as in the previous bars, GC and FE1 (→FE2→FE3) lack seven accidentals before the notes which were previously already correctly written in another octave. These patent inaccuracies do not impede the interpretation and they were completed in the subsequent sources to a varied extent (including FED, in which a before the top note of the 3rd crotchet in bar 150 was added). It is only EE2 that has the fully correct text. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , EE revisions , Annotations in FED , Accidentals in different octaves , Inaccuracies in FE , GE revisions , FE revisions , Inaccuracies in GC |
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b. 149
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composition: Op. 35, Sonata in B♭ minor, Mvt I
category imprint: Differences between sources issues: Errors in GE , GE revisions |
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b. 149
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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In GE1, almost certainly due to the engraver's inattention, the pedal release marking was omitted. The mistake was corrected in GE2. category imprint: Differences between sources issues: Errors in GE , GE revisions , No pedal release mark |
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b. 151-152
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composition: Op. 35, Sonata in B♭ minor, Mvt I
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The naturals raising g2 to g2 and g1 to g1 are certainly an arbitrary addition of the reviser of EE2, who perhaps considered the natural character of the piano grip, since in terms of style, there is no reason to assume here an oversight of the naturals by Chopin. category imprint: Differences between sources issues: EE revisions |