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Issues : Authentic corrections of FE
b. 1
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The accent could have been added by Chopin in [A] (→FE→EE) after GC had been already prepared and as such could represent the latest concept of determining the performance manner of the beginning of the Scherzo. category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 37
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The introduced in the proofreading of FE3 (→FE4) change of e to e category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of FE |
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b. 40
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The version of FE1 (→FE2→EE) – with d category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE |
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b. 40-41
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The absence of accidentals on the 2nd and 3rd beat of bar 40 and 2nd beat of bar 41 in GC and FE1 (→FE2→EE1) is almost certainly Chopin's mistake. It is confirmed by naturals raising g category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , GE revisions , Authentic corrections of FE , FE revisions , Errors of GC |
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b. 54
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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In the main text, we include the added in the proofreading of FE3 (→FE4) – most probably by Chopin – sharps raising the f1-f2 grace note to f category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Errors in FE , Errors in EE , Errors in GE , Omission of current key accidentals , Authentic corrections of FE , Errors of GC |