mUltimate Chopin

Op. 35, Sonata in B♭ minor, Mvt II

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Page: 
Source: 
p. 8, b. 225-252
p. 1, b. 1-30
p. 2, b. 31-58
p. 3, b. 59-94
p. 4, b. 95-129
p. 5, b. 130-160
p. 6, b. 161-193
p. 7, b. 194-224
p. 8, b. 225-252
p. 9, b. 253-287
Main text
Main text
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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Graphic ambiguousness
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Pitch
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Articulation, Accents, Hairpins
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Pedalling
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No differences
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Second impression of FE
FE3 - Third impression of FE
FE4 - Fourth impression of FE
FESch - Scherbatoff Copy
FES - Stirling copy
FED - Dubois copy
GE - German edition
GE1 - First German edition
GE2 - Corrected impression of GE
EE - English edition
EE1 - First English edition
EE2 - Revised impression of EE
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  b. 242

No sharps in GC (→GE) & FE1 (→FE2→EE1)

Sharps in FE3 (→FE4) & EE2

Same as in bar 54, we include in the main text the sharps raising the f1-f2 grace note to f1-f2, added – most probably by Chopin – in the proofreading of FE3 (→FE4). The change was introduced also in EE2.

Compare the passage in the sources »

category imprint: Differences between sources; Corrections & alterations

issues: EE revisions, Errors in FE, Errors in EE, Errors in GE, Omission of current key accidentals, Authentic corrections of FE, Errors of GC

notation: Pitch

Missing markers on sources: GC, FE1, FE2, FES, FED, FESch, FE3, FE4, GE1, GE2, EE1, EE2
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