



b. 24
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composition: Op. 35, Sonata in B♭ minor, Mvt II
..
In GC and FE (except for FE4) five necessary accidentals are missing – the naturals before d1, d2 and b and sharps before f category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in FE , GE revisions , EE inaccuracies , FE revisions , Inaccuracies in GC |
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b. 25
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The naturals before the 3rd octave of the bar are only in EE, FE4 and GE2. Chopin's patent inaccuracy was completed by revisers in probably all cases (certainly in GE2). category imprint: Interpretations within context; Differences between sources issues: EE revisions , Inaccuracies in GE , Inaccuracies in FE , GE revisions , Omission of current key accidentals , FE revisions , Inaccuracies in GC |
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b. 26-27
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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One category imprint: Differences between sources issues: FE revisions , Hairpins denoting continuation |
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b. 28
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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In the main text, we give the accents, long and short, on the basis of the clear notation of GC (→GE). The omission of the second one in FE is probably a result of the engraver's oversight. The EE1 version is a typical misrepresentation of a long accent, and GE was the probable inspiration for the EE2 revision. category imprint: Differences between sources issues: Long accents , EE revisions , EE inaccuracies |
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b. 28
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composition: Op. 35, Sonata in B♭ minor, Mvt II
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The absence of the first slur in FE (→EE1) is most probably an oversight of the engraver of FE. It was completed in EE2, probably on the basis of comparison with GE. category imprint: Differences between sources issues: EE revisions , Errors in FE |