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b. 65
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composition: Op. 25 No 11, Etude in A minor category imprint: Source & stylistic information issues: GE revisions , Errors of GC |
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b. 66-68
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composition: Op. 25 No 11, Etude in A minor
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In the main text we give the crescendo indication on the basis of Chopin entry in GE (→GE). The version of EE constitutes only a variation of it, whereas cresc. in FE describes an already entirely different dynamic concept, which can be considered as an equal variant. The version may be even the latest, as among the indications deleted in GC the indication is not written in the place where it appears in FE. category imprint: Differences between sources issues: Authentic corrections in GC |
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b. 67
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composition: Op. 25 No 11, Etude in A minor
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In the main text we give the long accent written in GC and printed in this form also in FE and EE. category imprint: Differences between sources issues: Long accents , Inaccuracies in GE |
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b. 69-74
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composition: Op. 25 No 11, Etude in A minor
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In GC – undoubtedly in accordance with [A] – bars 69-78 are briefly marked (with 1-10 numbers) as repetition of bars 5-14. category imprint: Source & stylistic information issues: Abbreviated notation of A |
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b. 69
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composition: Op. 25 No 11, Etude in A minor
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The bar starts with a section briefly marked in the manuscripts as repetition of bar 5 and subsequent ones. Particular sources recreated in these bars various sets of indications present in bar 5. EE is most accurate in this respect, as it repeats category imprint: Differences between sources |
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