mUltimate Chopin

Op. 25 No 11, Etude in A minor

Text Compare Notes Sources Description
Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Notation
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main
Undo Clear

b. 72

composition: Op. 25 No 11, Etude in A minor

 in GC

No sign in FE

 in EE

 in GE
..

category imprint: Differences between sources

b. 72

composition: Op. 25 No 11, Etude in A minor

No fingering in GC, FE, EE1 (→EE2) & GE2 (→GE3)

'1' in GE1 & EE3
..

Same as in bar 69, we assume that in GC, in which bars 69-78 are not written out with notes, the fingering should not be considered (the rule was adopted in FE, GE2 and GE3, partially also in EE). The engraver of GE1 gave here a numeral, which was copied in EE3.

category imprint: Differences between sources

issues: GE revisions

b. 73-74

composition: Op. 25 No 11, Etude in A minor

in bar 73 in GC (→GE)

No indication in FE

in bars 73-74 in EE
..

category imprint: Differences between sources

b. 74

composition: Op. 25 No 11, Etude in A minor

No mark in GC (→GE) & FE

Accent in EE
..

Lack of the sign in FE is probably chargeable to the engraver of this edition. In GC this bar is only briefly marked as repetition of bar 10 and it was probably the same in the remaining Stichvorlage manuscripts. Therefore, if FE has an accent in bar 10, it should be repeated also here (unless in bar 10 it was added only at the time of proofreading, which, according to us, is, however, less likely).

category imprint: Differences between sources

issues: Errors in FE

b. 75-78

composition: Op. 25 No 11, Etude in A minor

..

In GC bars 75-78 are not written out with notes, yet briefly marked as repetition of bars 11-14.

category imprint: Differences between sources; Source & stylistic information

issues: Abbreviated notation of A