



b. 25
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composition: Op. 25 No 8, Etude in D♭ major
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The earlier pedal release, marked in A (→GE) and still earlier – in EE1, are written in the sources transferring the original version of the bass motif in bars 25-26 (with single notes). Relation of pedalling with the sound of the bass progression seems to be quite likely, hence in the main text we give category imprint: Differences between sources issues: EE revisions |
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b. 25-27
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composition: Op. 25 No 8, Etude in D♭ major
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Both basic sets of indications – decresc. in bar 26 in A and GE and
category imprint: Differences between sources issues: Scope of dynamic hairpins |
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b. 26-27
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composition: Op. 25 No 8, Etude in D♭ major
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The ties sustaining g category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE , Main-line changes |
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b. 26-27
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composition: Op. 25 No 8, Etude in D♭ major
category imprint: Differences between sources |
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b. 26-27
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composition: Op. 25 No 8, Etude in D♭ major
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Placement of decresc. – see the note on category imprint: Differences between sources issues: Inaccuracies in GE , GE revisions |