



b. 10
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composition: Op. 25 No 8, Etude in D♭ major
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In A (→GE1) and FE there is no
We also add a category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: Accidentals in different octaves , Inaccuracies in GE , GE revisions |
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b. 15
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composition: Op. 25 No 8, Etude in D♭ major
..
Following GE2 (→GE3), we add cautionary flats before g category imprint: Differences between sources; Editorial revisions issues: GE revisions , Cautionary accidentals |
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b. 18
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composition: Op. 25 No 8, Etude in D♭ major
..
In A the bar is written in the part of the L.H. in an abbreviated manner, as repetition of the previous one. category imprint: Differences between sources issues: Abbreviated notation of A |
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b. 19
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composition: Op. 25 No 8, Etude in D♭ major
..
The single A category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Authentic corrections of FE , Authentic corrections in GC |
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b. 19
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composition: Op. 25 No 8, Etude in D♭ major
..
GE overlooked the staccato dot at the beginning of the bar. It is most probably a result of an erroneous interpretation of Chopin correction in A. The dot was also deleted in EE3, perhaps as a side effect of adopting the version with the octave from GE. category imprint: Differences between sources issues: EE revisions , Errors resulting from corrections , Errors in GE |