Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
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Op. 25 No 8, Etude in D♭ major
The earlier pedal release, marked in A (→GE) and still earlier – in EE1, are written in the sources transferring the original version of the bass motif in bars 25-26 (with single notes). Relation of pedalling with the sound of the bass progression seems to be quite likely, hence in the main text we give at the end of the bar, in accordance with FE, in which Chopin introduced an improved version of the bass.
Compare the passage in the sources »
category imprint: Differences between sources
issues: EE revisions
notation: Pedalling