



b. 8
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composition: Op. 25 No 2, Etude in F minor
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The broader position of the L.H. written in AT was changed later by Chopin. category imprint: Differences between sources; Corrections & alterations issues: Accompaniment changes |
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b. 9
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composition: Op. 25 No 2, Etude in F minor
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The last crotchet in GE1 is an e category imprint: Interpretations within context; Differences between sources issues: Errors in GE , Terzverschreibung error , GE revisions |
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b. 9
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composition: Op. 25 No 2, Etude in F minor
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The category imprint: Differences between sources |
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b. 9-10
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composition: Op. 25 No 2, Etude in F minor
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The slurs in bars 9-10 in AT may be interpreted in two ways. According to us, the divided slurs are much more likely here – while drawing the slur over bar 9, Chopin dragged the line too far, broke it and entered a new slur from the beginning of bar 10 (a similar situation occurred with the previous slur, starting from bar 7 and whose ending in bar 8 was, however, marked more clearly). category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Inaccurate slurs in A |
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b. 10-11
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composition: Op. 25 No 2, Etude in F minor
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All three ranges of the category imprint: Differences between sources issues: Scope of dynamic hairpins |