Issues : Annotations in FED
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b. 44
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composition: Op. 25 No 2, Etude in F minor
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Before the 8th semiquaver, CDP, GC (→GE) and EE have a cautionary (unnecessary in this context). FE has an erroneous in this place, which was corrected by Chopin in FED and FES. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Errors in FE , Annotations in FED , Cautionary accidentals , Annotations in FES |
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b. 45
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composition: Op. 25 No 2, Etude in F minor
category imprint: Differences between sources |
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b. 63
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composition: Op. 25 No 2, Etude in F minor
category imprint: Differences between sources |
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b. 64
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composition: Op. 25 No 2, Etude in F minor
category imprint: Differences between sources |
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b. 67
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composition: Op. 25 No 2, Etude in F minor
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The visible in FED pencilled entry of Chopin (8 3a and a line over the descending scale, creating a kind of an octave sign) constitutes, according to us, a variant in which the indicated scale figuration fragment is to be extended by an octave – ottava terza, as this entry is to be deciphered, probably signalises that the sequence of quavers, in the printed version filling generally the two-line octave, is supposed to include the three-line octave too). Chopin would often write this kind of scale or passage figuration extensions in pupils' copies, e.g., in the Concerto in E Op. 11, mvt II, bar 58-59, Nocturne in F minor, Op. 48 No. 2, bars 113-114, Nocturne in E major, Op. 62 No. 2, bars 68-69, or Waltz in A major, Op. 42, bars 240-244. category imprint: Interpretations within context; Differences between sources issues: Annotations in teaching copies , Annotations in FED , Authentic post-publication changes and variants |
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