Issues : Annotations in teaching copies

b. 1

composition: Op. 25 No 2, Etude in F minor

Fingering in FES

No teaching fingering

..

In the printed version Chopin did not give the fingering. In the main text, we, however, include the abundant indications in this respect, given in AW and entered during lessons into FED and FES. The complementary fingering versions are discussed in one note, whereas these that can be considered independently are included in separate notes.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 1

composition: Op. 25 No 2, Etude in F minor

Fingering in FES

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FES

b. 2-3

composition: Op. 25 No 2, Etude in F minor

Fingering in FED

Fingering in FED

Our suggestion

No teaching fingering

..

The fingering digits pairs written in FED and FES complement each other.

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED , Annotations in FES

b. 3

composition: Op. 25 No 2, Etude in F minor

Fingering in FED

No teaching fingering

category imprint: Differences between sources

issues: Annotations in teaching copies , Annotations in FED

b. 3-4

composition: Op. 25 No 2, Etude in F minor

'4' written into FES

Our suggestion

No teaching fingering

..

In the main text we list the complementary fingering versions written in different sources in this bar and its subsequent repetitions:

  • '1' written into AW in bar 53,
  • '4' written into FES,
  • '3' written into FES in bar 54

(cf. General Editorial Principlesp. 17).

category imprint: Differences between sources; Editorial revisions

issues: Annotations in teaching copies , Annotations in FES