GE1
Main text
AT - Autograph of a fragment
AW - Presentation Autograph
CDP - Copy for Delfina Potocka
GC - Gutmann's Copy
FE - French edition
FE1 - First French edition
FE2 - Corrected reprint of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected reprint of GE1
GE1b - Flawed impression of GE1
GE2 - Second German edition
GE3 - Revised impression of GE2
EE - English edition
EE1 - First English edition
EE2 - Corrected reprint of EE1
EE3 - Revised impression of EE2
compare
  b. 67

Triplets in AW, CDP, GC (→GE), FE & EE

Run written into FED

The visible in FED pencilled entry of Chopin (8 3a and a line over the descending scale, creating a kind of an octave sign) constitutes, according to us, a variant in which the indicated scale figuration fragment is to be extended by an octave – ottava terza, as this entry is to be deciphered, probably signalises that the sequence of quavers, in the printed version filling generally the two-line octave, is supposed to include the three-line octave too). Chopin would often write this kind of scale or passage figuration extensions in pupils' copies, e.g., in the Concerto in E Op. 11, mvt II, bar 58-59Nocturne in F minor, Op. 48 No. 2, bars 113-114, Nocturne in E major, Op. 62 No. 2, bars 68-69, or Waltz in A major, Op. 42, bars 240-244.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: Annotations in teaching copies, Annotations in FED, Authentic post-publication changes and variants

notation: Pitch

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