Page: 
Source: 
p. 8, b. 235-260
p. 1, b. 1-28
p. 2, b. 29-56
p. 3, b. 57-88
p. 4, b. 89-123
p. 5, b. 124-164
p. 6, b. 165-200
p. 7, b. 201-234
p. 8, b. 235-260
p. 9, b. 261-289
FED - Dubois copy
Main text
FE - French edition
FE0 -
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
GE - German edition
FEG - Chopin's Stichvorlage for GE
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
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FE - French edition
FE0 -
FE1 - First French edition
FED - Dubois copy
FEJ - Jędrzejewicz copy
GE - German edition
FEG - Chopin's Stichvorlage for GE
GE1 - First German edition
GE2 - Second German edition
GE3 - Corrected impression of GE2
EE - English edition
EE1 - First English edition
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copy link PDF FED - Dubois copy


  b. 243-244

up to a3 in FE, GE & EE

up to a4 in FED

In FED Chopin marked in an abbreviated manner an extension of the figuration with an octave (in pencil). A similar solution can be found in the Etude in F minor, Op. 25 No. 2, bar 67, the Nocturnes in F minor, Op. 48 No. 2, bars 113-114 and in E major, Op. 62 No. 2, bars 68-69 and in the Waltz in A major, Op. 34 No. 1, bars 163-164 and 167-168. In some of the cases, the idea of the variant could have been related to the extended piano scale, which in Chopin's last years reached until a4

Compare the passage in the sources»

category imprint: Differences between sources; Source & stylistic information

issues: Annotations in teaching copies, Annotations in FED, Authentic post-publication changes and variants

notation: Pitch

Missing markers on sources: FE0, FE1, FEJ, GE1, GE2