mUltimate Chopin

Op. 26 No 2, Polonaise in E♭ minor

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Issues : GE revisions

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b. 33

composition: Op. 26 No 2, Polonaise in E♭ minor

4 staccato dots in A

2 dots in FE (→GE1,EE)

7 dots in GE2 (→GE3→GE4)
..

FE (→EE,GE1) overlooked the staccato dots over two quavers on the 2nd beat in the L.H. In the later GE, the dots were arbitrarily assigned to all F notes in this bar (cf. previous annotation).

category imprint: Differences between sources

issues: Inaccuracies in FE , GE revisions

b. 33

composition: Op. 26 No 2, Polonaise in E♭ minor

..

The notation of accidentals in the R.H. arpeggio is not fully compliant with rules of the orthography. Chopin needlessly repeated  next to a2 on the 2nd beat, but forgot  before the last demisemiquaver (c1). The omitted accidental was added in EE and GE2 (→GE3→GE4). 

category imprint: Interpretations within context; Differences between sources; Editorial revisions

issues: EE revisions , Accidentals in different octaves , Inaccuracies in GE , Inaccuracies in FE , GE revisions , Cautionary accidentals , Inaccuracies in A

b. 33

composition: Op. 26 No 2, Polonaise in E♭ minor

 in A (→FE→GE1,EE)

  in GE2 (→GE3→GE4)
..

In GE2 (→GE3→GE4) the  indication was changed in the entire Polonaise to . See the characteristics of GE2.

category imprint: Differences between sources; Editorial revisions

issues: GE revisions

b. 34

composition: Op. 26 No 2, Polonaise in E♭ minor

..

GE2 (→GE3→GE4) and EE2 added superflous cautionary flats next to g in the L.H. and g1-g2 in the R.H. Similarly in bar 138.

category imprint: Differences between sources

issues: EE revisions , GE revisions , Cautionary accidentals

b. 34

composition: Op. 26 No 2, Polonaise in E♭ minor

..

GE1 overlooked the staccato dots over the last beat of the R.H. The subsequent GE corrected this mistake.

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions