mUltimate Chopin

Op. 26 No 2, Polonaise in E♭ minor

Text Compare Notes Sources Description

Issues : GE revisions

b. 163

composition: Op. 26 No 2, Polonaise in E♭ minor

 

No marking in FE (→GE1,EE)
 
..

The absence of  in FE (→GE1,EE) is an oversight of the engraver, revised in the subsequent GE.

category imprint: Differences between sources

issues: Errors in FE , GE revisions

b. 164

composition: Op. 26 No 2, Polonaise in E♭ minor

 in A (→FE→EE)

 in GE1

 in GE2 (→GE3→GE4)
..

In GE Chopin  was reproduced inaccurately – GE1 includes , which in the subsequent GE was arbitrarily changed to  (see the characteristics of GE2).

category imprint: Differences between sources

issues: Inaccuracies in GE , GE revisions

b. 165-166

composition: Op. 26 No 2, Polonaise in E♭ minor

Triads in A & GE1

Dyad and triad in FE (→EE)

Triad and dyad in GE2 (→GE3→GE4)

Dyads suggested by the editors
..

The fact of leaving the c1 note in bar 166 is a patent error at the time of implementing the authentic correction of FE1 (→EE). As a result, in the main text we give the corrected by Chopin version of analogous bars 13-14, 61-62 and 117-118. The versions of both GE1 and GE2 (→GE3→GE4) are a result of revisions unifying analogous bars – bar 165 was assimilated to bar 13 and bar 166 to bar 14.

category imprint: Differences between sources; Editorial revisions; Corrections & alterations

issues: GE revisions , Authentic corrections of FE , Omitted correction of an analogous place

b. 167

composition: Op. 26 No 2, Polonaise in E♭ minor

..

Like in previous occurrences of this bar A (→FE→EE1) has no  raising g1 to g1 on the 4th L.H. quaver. The obvious oversight was corrected in GE and EE2.

category imprint: Differences between sources; Editorial revisions

issues: EE revisions , Inaccuracies in FE , GE revisions