



Pitch
b. 31
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composition: Op. 26 No 2, Polonaise in E♭ minor
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A (→FE→GE1) has no category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Inaccuracies in GE , Inaccuracies in FE , GE revisions , Inaccuracies in A |
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b. 32
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composition: Op. 26 No 2, Polonaise in E♭ minor
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Accidentals in A are to be found only before the first chord and a2-a3 on 5th quaver in R.H. All the necessary signs were added already in FE1, and repeated in the remaining editions (except for GE1 which overlooked category imprint: Interpretations within context; Differences between sources issues: Errors in GE , GE revisions , Omission of current key accidentals , Errors of A , FE revisions |
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b. 33
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composition: Op. 26 No 2, Polonaise in E♭ minor
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Cautionary flats next to e category imprint: Differences between sources; Corrections & alterations issues: Cautionary accidentals , Authentic corrections of FE |
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b. 33
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composition: Op. 26 No 2, Polonaise in E♭ minor
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The notation of accidentals in the R.H. arpeggio is not fully compliant with rules of the orthography. Chopin needlessly repeated category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , Accidentals in different octaves , Inaccuracies in GE , Inaccuracies in FE , GE revisions , Cautionary accidentals , Inaccuracies in A |
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b. 33
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composition: Op. 26 No 2, Polonaise in E♭ minor
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In the ninth chord in the L.H. at the beginning of the bar, Chopin deleted F in the pupil's copy FES. The simplification can be considered a variant for a small hand. GE2 (→GE3→GE4) arbitrarily assigned a staccato dot to this note. category imprint: Differences between sources; Corrections & alterations |