



Pitch
b. 37
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composition: Op. 26 No 2, Polonaise in E♭ minor
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A has no accidentals before the first quaver. Sharps necessary to indicate notes c, c1, c2 were not written by Chopin until the last semiquaver, and only in the R.H. (the same pertains to bar 141, which is a repetition of bar 37). The editions filled in the essential signs (some or all):
In the main text we leave only naturals at the beginning of the bar. category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Errors of A , FE revisions |
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b. 38
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composition: Op. 26 No 2, Polonaise in E♭ minor
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category imprint: Differences between sources; Corrections & alterations issues: EE revisions , Corrections in A , GE revisions |
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b. 38
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composition: Op. 26 No 2, Polonaise in E♭ minor
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A has no accidentals next to the first quaver on the 3rd beat. However, Chopin put category imprint: Interpretations within context; Differences between sources issues: EE revisions , GE revisions , Omission of current key accidentals , Errors of A , FE revisions |
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b. 43
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composition: Op. 26 No 2, Polonaise in E♭ minor
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category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , GE revisions , Cautionary accidentals , Annotations in FES |
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b. 43
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composition: Op. 26 No 2, Polonaise in E♭ minor
..
 
category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Authentic corrections of FE |