|
b. 89
|
composition: Op. 26 No 2, Polonaise in E♭ minor
..
In FE (→EE1,GE1) the slur of the L.H., initiated in bar 88, is not continued on the new page. The inaccuracy was corrected in the subsequent impressions of GE and EE2. category imprint: Interpretations within context; Differences between sources issues: Inaccuracies in GE , Inaccuracies in FE , EE inaccuracies |
||||||||
|
b. 89-90
|
composition: Op. 26 No 2, Polonaise in E♭ minor
..
In the proofreading of FE1 Chopin completed the staccato dots in the 2nd half of bar 89 (in the parts of both hands) and in the 1st half of bar 90 (in the L.H.). In GE1 all six dots concerning the R.H. were overlooked, which was corrected in the subsequent GE. Cf. bars 69, 70-71 and 85-87. category imprint: Differences between sources issues: Errors in GE , GE revisions , Authentic corrections of FE |
||||||||
|
b. 90-98
|
composition: Op. 26 No 2, Polonaise in E♭ minor
..
In the main text we add cautionary naturals before e1 in bars 90 and 98. The signs were introduced in GE4. category imprint: Differences between sources; Editorial revisions issues: GE revisions |
||||||||
|
b. 90-98
|
composition: Op. 26 No 2, Polonaise in E♭ minor
..
In bars 90 and 98 GE2 (→GE3→GE4) arbitrarily added staccato dots over and under the 1st chord embraced with a phrasing slur. category imprint: Differences between sources issues: GE revisions |
||||||||
|
b. 91-92
|
composition: Op. 26 No 2, Polonaise in E♭ minor
..
In A the 2nd half of bar 91 and the 1st quaver of bar 92 are provided in the part of the R.H. with staccato dots. Chopin removed them in the proofreading of FE1 – see the next note. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
