Issues : GE revisions

b. 137

composition: Op. 26 No 2, Polonaise in E♭ minor

Tie to g in A, GE2 (→GE3GE4) & EE2

No tie in FE (→GE1,EE1)

..

The absence of the tie of g is almost certainly an oversight of the engraver of FE. The tie was added in later GE and EE certainly on the basis of comparison with analogous bar 33.

category imprint: Differences between sources

issues: EE revisions , Errors in FE , GE revisions

b. 137-139

composition: Op. 26 No 2, Polonaise in E♭ minor

..

In bars 137 and 139 GE2 (→GE3GE4) changed the  indications to . See the characteristics of GE2.

category imprint: Differences between sources

issues: GE revisions

b. 138

composition: Op. 26 No 2, Polonaise in E♭ minor

..

As in bar 34, GE2 (→GE3GE4) and EE2 added cautionary flats next to g in the L.H. and g1-g2 in the R.H.

category imprint: Differences between sources

issues: GE revisions

b. 139

composition: Op. 26 No 2, Polonaise in E♭ minor

No sign in A

Tie to F in FE (→GE1)

Slur e-f in EE & GE2 (→GE3GE4)

..

As in bars 35-36, the tie sustaining is most probably an erroneous interpretation of the motivic slur of e-f added by Chopin in the proofreading of FE1.

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Placement of markings , GE revisions , Authentic corrections of FE , FE revisions

b. 140

composition: Op. 26 No 2, Polonaise in E♭ minor

No sign in A

Tie to F in FE (→GE1)

Slur e-f in EE & GE2 (→GE3GE4)

category imprint: Interpretations within context; Differences between sources

issues: EE revisions , Placement of markings , GE revisions , Authentic corrections of FE , FE revisions