|
b. 41-44
|
composition: Op. 26 No 2, Polonaise in E♭ minor
..
In bars 41-44, similarly as in bar 40, the slurs in A are written in a very imprecise manner. One can see in these bars corrections and deletions, which also intensifies the difficulties at the time of interpreting the composer's intention. In the main text we give a probable interpretation of A taking account of Chopin's correction in FE in bars.43-44 and analogous bars. As variants, we give interpretations of engravers or revisers of FE (→EE), GE1 and GE2 (→GE3→GE4). category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Inaccurate slurs in A , Embracing slurs , GE revisions |
||||||||||||
|
b. 41-43
|
composition: Op. 26 No 2, Polonaise in E♭ minor
..
GE1 overlooked the ties between bars 41-42 and 42-43. category imprint: Differences between sources issues: Errors in GE , GE revisions |
||||||||||||
|
b. 43-44
|
composition: Op. 26 No 2, Polonaise in E♭ minor
..
Chopin added the tie combining the e category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
||||||||||||
|
b. 43
|
composition: Op. 26 No 2, Polonaise in E♭ minor category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , GE revisions , Cautionary accidentals , Annotations in FES |
||||||||||||
|
b. 43
|
composition: Op. 26 No 2, Polonaise in E♭ minor category imprint: Differences between sources; Corrections & alterations issues: GE revisions , Authentic corrections of FE |
1 sounds in the R.H. between bars 43-44 in the proofreading of