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Op. 26 No 1, Polonaise in C♯ minor

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b. 13-17

composition: Op. 26 No 1, Polonaise in C♯ minor

2 staccato dots in A (→FE→EE)

1 staccato dot in GE1

3 staccato dots in GE2 (→GE3→GE4→GE5)
..

In A Chopin most probably introduced a staccato dot for the 1st quaver in the L.H. in bar 13 and certainly in bar 17. Both signs were included in FE. As bar 15 is generally a repetition of bar 13, the absence of the dot in the analogous place can be considered Chopin's oversight. In turn, as a result of an unquestionable oversight of the engraver, in GE1 there is no dot in bar 17 – the sign was already in FE. To the main text we adopt the complete articulation of GE2 (→GE3→GE4→GE5).

category imprint: Graphic ambiguousness; Differences between sources; Editorial revisions

issues: Errors in GE , GE revisions , Inaccuracies in A

b. 13-79

composition: Op. 26 No 1, Polonaise in C♯ minor

..

In the editions, almost all signs of accents were represented as short accents – the engraver of FE (→GE1) correctly placed the only long accent in bar 63, yet in EE and GE2 (→GE3→GE4→GE5) it was changed to a short one. According to us, the notation of the majority of the accents of A clearly indicates their interpretation as long accents. Apart from the aforementioned, in the manuscript there is a specific for Chopin, rarely present sign of an inverted long accent – see bar 47.

category imprint: Differences between sources; Source & stylistic information

issues: Long accents , EE revisions , GE revisions , FE revisions

b. 13

composition: Op. 26 No 1, Polonaise in C♯ minor

No repeat sign in A (literal reading)

Repetition in FE (→GE,EE)
..

The sign opening the repetition of bars 13-37, in A probably accidentally overlooked, was most probably added by Chopin in the proofreading of FE (→GE,EE). Cf. bar 54.

category imprint: Interpretations within context; Differences between sources

issues: Errors of A , Authentic corrections of FE , Differences in form

b. 13

composition: Op. 26 No 1, Polonaise in C♯ minor

No G  in A

G in FE (→GE,EE)
..

The absence of the G note in the last quaver in the L.H. is most probably a mistake of Chopin. FE and the remaining editions include this note, although it is not certain whether this place was corrected (the engraver could have not noticed the note or ignored the absence).

category imprint: Differences between sources

issues: Errors of A , Authentic corrections of FE

b. 14

composition: Op. 26 No 1, Polonaise in C♯ minor

..

EE1 did not print the beam for the first two quavers in the L.H.

category imprint: Differences between sources

issues: Errors in EE