



Rhythm
b. 20-21
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The tie sustaining d category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 22-27
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composition: Op. 26 No 1, Polonaise in C♯ minor
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Additional stems for the b notes in bars 22-27 were added by Chopin in the proofreading of FE1. Together with the slurs in the L.H. added by the composer in bars 24-30, it clearly indicates the use of "harmonic legato" – sustaining harmonic notes with fingers. category imprint: Differences between sources; Corrections & alterations; Source & stylistic information issues: Authentic corrections of FE |
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b. 23-27
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In GE2 (→GE3→GE4→GE5) the engraver arbitrarily combined the d category imprint: Differences between sources issues: GE revisions |
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b. 23-27
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In GE2 (→GE3→GE4→GE5) the notes of the e1-a1 fourth in bars 23-27 are combined with a joint crotchet stem. The revision, despite its arbitrary character, undoubtedly corresponds to Chopin's intention concerning the "harmonic legato" – sustaining the harmonic sounds with fingers – which was written in a simplified manner in A. category imprint: Differences between sources; Source & stylistic information issues: GE revisions |
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b. 32
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In analogous bar 7, in the proofreading of FE1 Chopin added a crotchet stem for g category imprint: Differences between sources issues: GE revisions , Omitted correction of an analogous place |