



Rhythm
b. 50
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In the proofreading of FE1 Chopin shortened the 4th note in the top voice to a quaver. A respective correction—unfinished—is also included in analogous bar 82. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 51
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In the proofreading of FE1 Chopin shortened the 1st note in the top voice to a quaver. A respective correction is also included in analogous bar 83. category imprint: Differences between sources; Corrections & alterations issues: Authentic corrections of FE |
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b. 52
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composition: Op. 26 No 1, Polonaise in C♯ minor
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A does not include a tie combining both a category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , EE revisions , Annotations in FED , Omitted correction of an analogous place |
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b. 61
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composition: Op. 26 No 1, Polonaise in C♯ minor
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The change of the rhythm introduced in the proofreading of FE1 includes all features of a Chopin improvement. category imprint: Differences between sources |
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b. 82
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In FE (→GE,EE) the apparently unclear slur is almost certainly a tie sustaining f2, left erroneously by the engraver – see bar 50. The mistake was corrected in GE2 (→GE3→GE4→GE5). category imprint: Differences between sources; Corrections & alterations issues: Errors in FE , Errors in EE , Errors in GE , Authentic corrections of FE |