Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 26 No 1, Polonaise in C♯ minor
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The e1-a1 fourth, repeated in the subsequent bars, is to be sustained with fingers as a crotchet:
The so-called "harmonic legato" (sustaining the harmonic sounds with fingers) is to be applied also in the next bars, in spite of the fact that in Chopin's simplified notation it is only the top note of the fourth that is sustained.
category imprint: Differences between sources; Source & stylistic information
issues: GE revisions
notation: Rhythm
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