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b. 30
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composition: Op. 26 No 1, Polonaise in C♯ minor category imprint: Differences between sources issues: EE revisions |
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b. 31-32
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In FE (→GE1,EE) the slur ends on the last note in bar 31. In similar bars 5-7, the slur is led to the 1st note of bar 7, which ends the phrase. A possible reason of the slur's shortening in the editions is the inaccuracy of notation of A, in which Chopin ended the slur just before the bar line between bars 31 and 32. category imprint: Graphic ambiguousness; Differences between sources issues: Inaccuracies in FE , Inaccurate slurs in A , EE inaccuracies |
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b. 32
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composition: Op. 26 No 1, Polonaise in C♯ minor
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Same as in bar 7, in GE2 (→GE3→GE4→GE5) the beginning of the slur was arbitrarily moved over the 1st note of the bar. category imprint: Differences between sources issues: GE revisions |
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b. 32
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composition: Op. 26 No 1, Polonaise in C♯ minor
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Same as in bar 7, the absence of the staccato dot in FE may be a result of Chopin's proofreading. The presence of the dot in GE seems to be a revision (inaccuracy?) of the engraver. category imprint: Differences between sources; Corrections & alterations issues: Errors in GE , Authentic corrections of FE |
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b. 32
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composition: Op. 26 No 1, Polonaise in C♯ minor
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In analogous bar 7, in the proofreading of FE1 Chopin added a crotchet stem for g category imprint: Differences between sources issues: GE revisions , Omitted correction of an analogous place |
in the L.H. The absence of a similar correction in bar 32 is to be considered to be Chopin's oversight. The crotchet in