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b. 29-31
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composition: Op. 10 No 10, Etude in A♭ major
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In FE (→GE,EE) these bars are written with four sharp key signatures, as a result of which in each bar d notes must be provided with accidental naturals. It is probably an error of the engraver, perhaps relying on the previous section in E major (bars 17-22). Similarly in bars 32-34. category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE |
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b. 29-31
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composition: Op. 10 No 10, Etude in A♭ major
category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 32-34
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composition: Op. 10 No 10, Etude in A♭ major
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In FE (→GE,EE) these bars – same as bars 29-31 – are written with four sharp key signatures, as a result of which in each bar d notes must be provided with accidental naturals. In FE the category imprint: Differences between sources issues: EE revisions , Errors in FE , GE revisions , Authentic corrections of FE |
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b. 32
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composition: Op. 10 No 10, Etude in A♭ major
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This bar ends the next section in which Chopin added the pedalling while proofreading FE (→GE,EE). category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 35-36
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composition: Op. 10 No 10, Etude in A♭ major
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The 2nd halves of these bars are briefly written in A – with the help of the •/• mark – as repetition of the 1st halves. category imprint: Source & stylistic information issues: Abbreviated notation of A |
before d3 in bar 32 was omitted.
