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b. 42
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composition: Op. 10 No 10, Etude in A♭ major
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Fontana's addition of the fingering in EE may be considered here as justified, as such a melodic phrase has not yet occurred in the Etude's current flow. category imprint: Differences between sources issues: EE revisions |
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b. 42-43
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composition: Op. 10 No 10, Etude in A♭ major
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Lack of the pedal release mark depressed in the middle of bar 42 must be considered as the notation's inaccuracy in this context. The category imprint: Interpretations within context; Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Authentic corrections of FE , No pedal release mark |
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b. 43-45
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composition: Op. 10 No 10, Etude in A♭ major
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The fingering in bars 43 and 45 in the main text – in total six times the 1st finger – originates from Chopin's proofreading of FE (→GE,EE). category imprint: Differences between sources issues: Authentic corrections of FE |
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b. 43
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composition: Op. 10 No 10, Etude in A♭ major
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The longer octave sign in A is almost certainly Chopin's mistake. The error reached GE, where it remained unnoticed, through a proof copy of FE. In the last proofreading of FE (→EE), f category imprint: Differences between sources issues: Errors of A , Authentic corrections of FE |
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b. 43-44
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composition: Op. 10 No 10, Etude in A♭ major
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According to us, omission of the category imprint: Differences between sources issues: Errors in FE |
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