



Pitch
b. 150
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composition: Op. 38, Ballade in F major
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A (→GC,FE1) has no naturals before the upper notes of the 4th and 12th semiquaver (b1 and b2). This inaccuracy, characteristic of Chopin, was gradually corrected in FE – the first category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , Omission of current key accidentals , Authentic corrections of FE , Authentic corrections in GC , Inaccuracies in A |
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b. 151
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composition: Op. 38, Ballade in F major
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A (→FE1) has no accidentals in this bar. Chopin added the overlooked naturals before the 3rd L.H. octave (B-b) in GC (→GE) and FE2 (→FE3). The signs were also added in EE, most probably by analogy with bar 149. category imprint: Interpretations within context; Differences between sources issues: EE revisions , Omission of current key accidentals , Errors of A , Authentic corrections of FE , Authentic corrections in GC |
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b. 151
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composition: Op. 38, Ballade in F major
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Visible in A are traces of a correction of the L.H. motif which originally sounded: category imprint: Corrections & alterations; Source & stylistic information issues: Corrections in A , Main-line changes |
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b. 152
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composition: Op. 38, Ballade in F major
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In A (→GC,FE) the category imprint: Interpretations within context; Differences between sources issues: EE revisions , Accidentals in different octaves , GE revisions , Omission of current key accidentals , FE revisions , Authentic corrections in GC , Inaccuracies in A |
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b. 154
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composition: Op. 38, Ballade in F major
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As a result of misinterpretation of the octave sign, GC (→GE) and FE1 erroneously notate the first two semiquavers of the 2nd half of the bar an octave higher – e3-c3 instead of e2-c2. The error was corrected in FE2 (→FE3), most probably by Chopin. category imprint: Interpretations within context; Differences between sources issues: Errors in FE , Authentic corrections of FE , Errors of GC |