Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
(Op. 4), Sonata in C minor
Op. 38, Ballade in F major
In A (→GC,FE) the raising b1 to b1 is only written before the 8th semiquaver, and there is no raising b to b in the L.H. Chopin wrote in the latter in GC (→GE), it was also added in FE3 and EE. The notation of the R.H. was supplemented in EE and GE, but only EE removed the then superfluous in the 2nd half of the bar.
Compare the passage in the sources »
category imprint: Interpretations within context; Differences between sources
issues: EE revisions, Accidentals in different octaves, GE revisions, Omission of current key accidentals, FE revisions, Authentic corrections in GC, Inaccuracies in A
notation: Pitch