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Slurs
b. 178
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composition: Op. 38, Ballade in F major
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Lack of the L.H. slurs is a characteristic error of the engraver of EE who omitted slurs in a new line of music.. category imprint: Differences between sources issues: Errors in EE |
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b. 179
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composition: Op. 38, Ballade in F major
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In A the 2nd part of the bar in the R.H. was deleted and rewritten next to the stave. The ties sustaining d category imprint: Differences between sources; Source & stylistic information issues: Deletions in A , Inaccuracies in GC |
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b. 179-180
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composition: Op. 38, Ballade in F major
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The first slur in the L.H. is written "with panache," as a result of which it was misinterpreted both in GC and in FE. The slurs of GE are even more misleading, so that in GE the beginnings of both slurs were moved to the 1st quaver of each beat in bar 179. In the main text we give the obvious in this context interpretation of slurs of A. The lack of slurs in EE results from an oversight by the engraver (as in the previous bar). category imprint: Graphic ambiguousness; Differences between sources issues: Errors in EE , Inaccurate slurs in A , Inaccuracies in GC |
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b. 180
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composition: Op. 38, Ballade in F major
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In A in the R.H. there is a slur embracing the first two semiquavers in bar 180 - the slur was repeated in GC (→GE) and FE. An analogous situation takes place in bar 184 - in this bar the slur appears only in A and GC. category imprint: Differences between sources |
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b. 181-184
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composition: Op. 38, Ballade in F major
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As in analogous bars 177-180, the three R.H. slurs were written into GC (→GE) almost certainly by Chopin. In GE1 the slur in bar 183, last in the line, reaches only the last semiquaver even though the next bar holds its ending. The flaw was rectified in GE2 (→GE3). category imprint: Graphic ambiguousness; Differences between sources; Corrections & alterations issues: Inaccuracies in GE , GE revisions , Authentic corrections in GC , Uncertain slur continuation |