Select: 
Category
All
Graphic ambiguousness
Interpretations within context
Differences between sources
Editorial revisions
Corrections & alterations
Source & stylistic information
Slurs
All
Pitch
Rhythm
Slurs
Articulation, Accents, Hairpins
Verbal indications
Pedalling
Fingering
Ornaments
Shorthand & other
Importance
All
Important
Main


Slurs

b. 173

composition: Op. 38, Ballade in F major

Slurs from 2nd quaver in A (→FE)

Slurs from 1st quaver in GC (→GE)

No slurs in EE

..

Characteristic of Gutmann, written with elan, the L.H. slurs in GC (→GE) are certainly inaccurate. EE overlooked both slurs.

category imprint: Differences between sources

issues: EE inaccuracies , Inaccuracies in GC

b. 174

composition: Op. 38, Ballade in F major

Slur from 1st semiquaver in A (→GCGE)

Slur from 2nd semiquaver in FE & EE

category imprint: Differences between sources

issues: EE revisions , Authentic corrections of FE

b. 175-176

composition: Op. 38, Ballade in F major

No slur in A (→FE,EE,GCGE)

Slur suggested by the editors

..

In the main text we suggest a slur after analogous bars 171-172 where Chopin added a slur in GC.

category imprint: Editorial revisions

b. 176

composition: Op. 38, Ballade in F major

Slur in A (→GC)

Tied f1 in FE

Tied f1 & e1 in GE

Slurs in EE

..

In FE and GE the slur was moved under the dyads, which effectively changed its meaning – instead of embracing the c2-bmotif, it indicates to hold f1. Moreover, both in GE and in EE, a similarly placed slur was arbitrarily added in the 2nd half of the bar.

category imprint: Differences between sources

issues: EE revisions , Inaccuracies in FE , Placement of markings , GE revisions

b. 177-180

composition: Op. 38, Ballade in F major

No slurs in A (→FE,EE)

Slurs in GC (→GE)

..

Three consecutive, approximately one-bar-long slurs were writtne into GC (→GE) almost certainly by Chopin. 

category imprint: Differences between sources; Corrections & alterations

issues: Authentic corrections in GC