Issues : Inaccuracies in A
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b. 28
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composition: Op. 10 No 3, Etude in E major
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There is no staccato dot over the 4th semiquaver in A. It is such an evident oversight that its presence in FE (→GE,EE) may be even a result of the engraver's inaccuracy. However, a conscious action of the engraver or Chopin's proofreading also cannot be excluded. category imprint: Differences between sources issues: Authentic corrections of FE , Inaccuracies in A |
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b. 45
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composition: Op. 10 No 3, Etude in E major
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Both autographs lack some of the necessary naturals in this bar, although these which are included allow for a clear interpretation of the text:
The necessary signs were added in FE (→GE,EE), while in GE4 (→GE5), the unnecessary category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Omission of current key accidentals , Authentic corrections of FE , Inaccuracies in A |
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b. 46-47
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composition: Op. 10 No 3, Etude in E major
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The notation of accidentals is not accurate in the autographs, particularly in AI. Typical for Chopin omissions of signs written simultaneously or slightly earlier next to proper notes in another octave, as well as oversights of cancellations of previous alterations, do not, however, lead to any misunderstandings, as far as the interpretation of the intended text is concerned. In all sources there are also signs of cautionary or reminding nature. In the main text we include these which Chopin wrote in A. category imprint: Interpretations within context; Differences between sources issues: Accidentals in different octaves , GE revisions , Cautionary accidentals , Authentic corrections of FE , Inaccuracies in A |
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b. 52
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composition: Op. 10 No 3, Etude in E major
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In A Chopin overlooked one of the slurs in the L.H. (in AI there are no slurs in this fragment at all). The engraver of FE (→EE2) omitted the previous slur too. In the remaining editions these patent inaccuracies were corrected. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions , Inaccuracies in A |
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b. 68
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composition: Op. 10 No 3, Etude in E major
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We add slurs in the 1st half of the bar by analogy with consistent slurs of similar motifs in bars 63, 64, 66 and 67. The addition was already performed in GE2 (→GE3→GE4→GE5) and EE3 (→EE4). See also bar 67. category imprint: Differences between sources; Editorial revisions issues: EE revisions , GE revisions , Inaccuracies in A |
before c is unnecessarily repeated on the 6th semiquaver in the bar (due to the brief notation of the octave, the sign concerns also the bottom C); 
