Op. 2, Variations in B♭ major
Op. 10, 12 Etudes
Op. 11, Concerto in E minor
Op. 21, Concerto in F minor
Op. 22, Polonaise in E♭ major
Op. 24, 4 Mazurkas
Op. 25, 12 Etudes
Op. 26, 2 Polonaises
Op. 27, 2 Nocturnes
Op. 28, 24 Preludes
Op. 30, 4 Mazurkas
Op. 35, Sonata in B♭ minor
Op. 50, 3 Mazurkas
Op. 63, 3 Mazurkas
Op. 64, 3 Waltzes
Op. 10 No 3, Etude in E major
List of the overlooked necessary accidentals in particular sources:
AI, R.H. bar 46: 
f
2, bar 47: c3; L.H. bar 46: 
d1, d2, f1, c2, bar 47: c1;
A, R.H. bar 46: f2, L.H. f1.
The introduced unnecessary signs (cautionary or reminding):
AI, R.H. bar 46: c3, d2, bar 47: d2; L.H. bar 46: g1, bar 47: d1;
A, main text, R.H. bar 47: d2; L.H. bar 47: c2, d1;
FE (→EE2→EE3), R.H. bar 46: d2, bar 47: d2; L.H. bar 47: c2, d1;
GE1 (→GE1a→GE2→GE3) and EE4, R.H. bar 46: d3, d2, c3, t. 47: d2; L.H. bar 47: c2, d1;
GE4 (→GE5), R.H. bar 46: d2, c3, bar 47: d2; L.H. bar 47: c2, d1.
category imprint: Interpretations within context; Differences between sources
issues: Accidentals in different octaves, GE revisions, Cautionary accidentals, Authentic corrections of FE, Inaccuracies in A
notation: Pitch
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