A
Main text
AI - Working autograph
A - Autograph
FE - French edition
FE1 - First French edition
FE2 - Corrected impression of FE1
FED - Dubois copy
FEJ - Jędrzejewicz copy
FES - Stirling copy
GE - German edition
GE1 - First German edition
GE1a - Corrected impression of GE1
GE2 - Second German edition
GE3 - Third German edition
GE4 - Fourth German edition
GE5 - Fifth German edition
EE - English edition
EE2 - First English edition
EE3 - Corrected impression of EE2
EE4 - Revised impression of EE3
compare
  b. 45

Both autographs lack some of the necessary naturals in this bar, although these which are included allow for a clear interpretation of the text:

  • in AI there is no sign before c2 in the 3rd chord in the R.H., while the  before c is unnecessarily repeated on the 6th semiquaver in the bar (due to the brief notation of the octave, the sign concerns also the bottom C); 
  • in A there is no  before the bottom C at the 2nd semiquaver, while the only sign in the part of the R.H. is a  before c2 in the last chord.

The necessary signs were added in FE (→GE,EE), while in GE4 (→GE5), the unnecessary  at the end of the bar was removed.

Compare the passage in the sources »

category imprint: Interpretations within context; Differences between sources

issues: Accidentals in different octaves, GE revisions, Omission of current key accidentals, Authentic corrections of FE, Inaccuracies in A

notation: Pitch

Go to the music

.