



b. 57-58
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composition: Op. 10 No 5, Etude in G♭ major
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In the editions, the omission of fingering digits (1) over the 1st notes in these bars is most probably a result of distraction of the engraver of FE. category imprint: Differences between sources issues: Errors in FE |
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b. 57
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composition: Op. 10 No 5, Etude in G♭ major category imprint: Differences between sources; Editorial revisions issues: GE revisions |
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b. 57-60
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composition: Op. 10 No 5, Etude in G♭ major
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In A Chopin provided with dots only the bass notes and only in bars 57-58, yet in a proofreading of FE (→GE1) he also added the dots under the chords (except for bar 58, which is certainly an oversight). In GE2 and subsequent and in EE the omitted signs were completed. Dots in the 2nd half of bar 59 are included in the variants of the last chord in this bar. category imprint: Differences between sources issues: EE revisions , Inaccuracies in FE , GE revisions , Authentic corrections of FE |
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b. 59
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composition: Op. 10 No 5, Etude in G♭ major
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Deciphering Chopin's intention regarding the 4th quaver in this bar encounters serious difficulties. In the main text we give the undoubtedly authentic version of A (the d Both versions suggested by the editors include staccato dots added during the proofreading of FE (→GE,EE). category imprint: Differences between sources issues: Errors in FE , Authentic corrections of FE |
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b. 60
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composition: Op. 10 No 5, Etude in G♭ major
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As the 7th note FE has b category imprint: Differences between sources issues: Annotations in teaching copies , EE revisions , Errors in FE , Annotations in FED , GE revisions , Annotations in FES |