



b. 84-85
|
composition: Op. 10 No 5, Etude in G♭ major
..
Chopin would generally indicate the performance of such kind of endings with one pedal. The missing indications may have been a result of the composer's distraction – on the last page of FE he did not add any pedal mark. category imprint: Editorial revisions |
|||||||
b. 85
|
composition: Op. 10 No 5, Etude in G♭ major
..
Despite the fact that the correct text is actually undeniable, its correct notation in the sources appears only in GE3 (→GE4→GE5). The notation of A is unclear in terms of division into voices (hands), which may have resulted in a rhythmic error of FE (→GE1→GE2, →EE2→EE3). In turn, at the time of adding minim stems in EE4, the G category imprint: Interpretations within context; Differences between sources issues: EE revisions , Errors in FE , Errors in EE , GE revisions , Rhythmic errors , Inaccuracies in A |